Eirik Stubø is an actor, known for Pionér (2013) and Åpen post (1998).
Eirik Svensson is known for Harajuku (2018), Den største forbrytelsen (2020) and Natt til 17. (2014).
Eirik Sæther is known for Sick of Myself (2022), Munch (2023) and Sigurd fåkke pult (2020).
Eirini Aivaliotou is known for Monday (2020), Dissolved (2021) and Otan o Kostis synantise ti Mairi (2019).
Eirini Inglesi is an actress, known for O kyrios me ta gri (1997), Holy Emy (2021) and To 10 (2007).
Eirini Karamanoli was born in Salonica, Greece, in 1987. She began her film career at the age of 19. She studied Theatre at the Iasmos Drama School, Cinema at the Prague Film School, and took classes at the Department of Communication, Media and Culture of the Panteion Panepestimion Ikonomikon kai Politikon Epistimon. She played Gisa in The Lost Legion (2014) and acted in several episodes of Ta mystika tis Edem. She's also a screenwriter, producer and director of a series of short films and commercial pieces. She presently works as Creative Project Manager in the Bezier Animation Studio (Athens, Greece).
Eirini Konstantinidou is a director and writer, known for Mnemophrenia (2019), Mnemophrenia: The Beginning (2013) and S'agapo...? (2007).
Eirini Mo is an actress, known for Zapped (2016), The Stroke (2018) and MatchBox (2018).
Eiry Thomas is an actress, known for The Bench (2001), Enid a Lucy (2019) and Torchwood (2006).
Eisa Davis is an award-winning actor, writer, and singer-songwriter working on stage and screen. She is known for her roles as Cynthia Driscoll on House of Cards (2015-16), and as Rae, Bubbles' sister on The Wire (2003, 2008). She also played Irma in the acclaimed rock musical Passing Strange (2009), captured on film by Spike Lee. For her extensive work in the theatre, she has received an Obie Award for Sustained Excellence in Performance. A Berkeley native and Harvard grad, she was a finalist for the Pulitzer Prize in Drama for her play Bulrusher (2006), and wrote and starred in Angela's Mixtape (2009), named a best of the year by The New Yorker. She writes for the Netflix series She's Gotta Have It.