Paul Tavianini was born in San Gabriel, California, USA. He is an actor, known for The Source (2001), Chicago P.D. (2014) and Rampage: The Hillside Strangler Murders (2006).
Paul Teal is an actor, known for Deep Water (2022), Fear Street: 1978 (2021) and One Tree Hill (2003).
Paul was born and raised in Hollywood, Florida. After Paul received his MFA in directing at The Theatre School at De Paul University,he moved back to Miami where he founded the Mad Cat Theatre Company. Paul has remained the Artistic Director since it's humble origins in the fall of 2000. Paul has directed all but two of the company's productions and has written or co-written almost half of the company's plays over it's history. In addition to Mad Cat, Paul has directed over 70 productions from Miami to San Francisco, LA to New York as well as the re-mounting of Kristina Wong's Going Green the Wong Way at the Edinburgh Fringe Festival, which had it's world premiere in Miami with Mad Cat Theatre Company. His BA in Theatre from Barry University helped round out his talents in the theatre by allowing him to pursue puppetry, sound, light, costume and set design. He currently resides in LA.
Paul Telfer was born on October 30, 1979 in Paisley, Scotland. He is an actor and writer, known for Days of Our Lives (1965), NCIS: Naval Criminal Investigative Service (2003) and Miss Conception (2008). He has been married to Carmen Cusack since December 1, 2012.
Paul Terry is known for He Who Dares: Downing Street Siege (2014), Jagame Thandhiram (2021) and The Red Mosquito (2019).
Paul Teutul Sr. was born on May 1, 1949 in Yonkers, New York, USA. He is a producer and actor, known for Wild Hogs (2007), American Chopper: The Series (2003) and Algorithm: Bliss (2020). He has been married to Beth Dillon since July 29, 2007. He was previously married to Paula Teutul.
Paul Tew is known for Roost (2022).
Being a kid growing up in a motel in Bakersfield, CA the television became my escape. Parents are fans of Bollywood movies. My favorites were anime TV shows and films. It's a place where everybody sat together, enjoyed together if it was good, and it just seemed like all was amazing in the world. When I graduated high school, I decided I wanted to tell stories also so I moved to Los Angeles to become an actor. I have been in the working film industry for two years now. When I first moved to Los Angeles it was to attend the New York Film Academy. After graduating the One year program in 2010 I started to go out on auditions. One thing led to another and I started finding myself working more behind the camera as a production assistant rather than in front as an actor. While I was production assisting on a music video, I was offered an internship at Robot Films. A production company that focused on music videos. I did this job until I realized that I wanted more than to be just a production assistant. I wanted to create my own films. I started reading business, production, screenwriting, and other film history books more frequently. I have always had a passion for films and now I was learning what goes into making them. It's a tough road, but I'm in it for the long haul.
Paul Thomas was born on April 17, 1949 in Winnetka, Illinois, USA. He is a director and actor, known for Jesus Christ Superstar (1973). He has been married to Judy Epstein since December 14, 1985.
Anderson was born in 1970. He was one of the first of the "video store" generation of film-makers. His father was the first man on his block to own a V.C.R., and from a very early age Anderson had an infinite number of titles available to him. While film-makers like Spielberg cut their teeth making 8 mm films, Anderson cut his teeth shooting films on video and editing them from V.C.R. to V.C.R. Part of Anderson's artistic D.N.A. comes from his father, who hosted a late night horror show in Cleveland. His father knew a number of oddball celebrities such as Robert Ridgely, an actor who often appeared in Mel Brooks' films and would later play "The Colonel" in Anderson's Boogie Nights (1997). Anderson was also very much shaped by growing up in "The Valley", specifically the suburban San Fernando Valley of greater Los Angeles. The Valley may have been immortalized in the 1980s for its mall-hopping "Valley Girls", but for Anderson it was a slightly seedy part of suburban America. You were close to Hollywood, yet you weren't there. Would-bes and burn-outs populated the area. Anderson's experiences growing up in "The Valley" have no doubt shaped his artistic self, especially since three of his four theatrical features are set in the Valley. Anderson got into film-making at a young age. His most significant amateur film was The Dirk Diggler Story (1988), a sort of mock-documentary a la This Is Spinal Tap (1984), about a once-great pornography star named Dirk Diggler. After enrolling in N.Y.U.'s film program for two days, Anderson got his tuition back and made his own short film, Cigarettes & Coffee (1993). He also worked as a production assistant on numerous commercials and music videos before he got the chance to make his first feature, something he liked to call Sydney, but would later become known to the public as Sydney (1996). The film was developed and financed through The Sundance Lab, not unlike Quentin Tarantino's Reservoir Dogs (1992). Anderson cast three actors whom he would continue working with in the future: Altman veteran Philip Baker Hall, the husky and lovable John C. Reilly and, in a small part, Philip Seymour Hoffman, who so far has been featured in all four of Anderson's films. The film deals with a guardian angel type (played by Hall) who takes down-on-his-luck Reilly under his wing. The deliberately paced film featured a number of Anderson trademarks: wonderful use of source light, long takes and top-notch acting. Yet the film was reedited (and retitled) by Rysher Entertainment against Anderson's wishes. It was admired by critics, but didn't catch on at the box office. Still, it was enough for Anderson to eventually get his next movie financed. "Boogie Nights" was, in a sense, a remake of "The Dirk Diggler Story", but Anderson threw away the satirical approach and instead painted a broad canvas about a makeshift family of pornographers. The film was often joyous in its look at the 1970s and the days when pornography was still shot on film, still shown in theatres, and its actors could at least delude themselves into believing that they were movie stars. Yet "Boogie Nights" did not flinch at the dark side, showing a murder and suicide, literally in one (almost) uninterrupted shot, and also showing the lives of these people deteriorate, while also showing how their lives recovered. Anderson not only worked with Hall, Reilly and Hoffman again, he also worked with Julianne Moore, Melora Walters, William H. Macy and Luis Guzmán. Collectively, Anderson had something that was rare in U.S. cinema: a stock company of top-notch actors. Aside from the above mentioned, Anderson also drew terrific performances from Burt Reynolds and Mark Wahlberg, two actors whose careers were not exactly going full-blast at the time of "Boogie Nights", but who found themselves to be that much more employable afterwards. The success of "Boogie Nights" gave Anderson the chance to really go for broke in Magnolia (1999), a massive mosaic that could dwarf Altman's Nashville (1975) in its number of characters. Anderson was awarded a "Best Director" award at Cannes for Punch-Drunk Love (2002).